THE PINKERTON PAPERS

The Pinkerton Papers

An unfinished life.
Come walk with me.

A spiritual quest through becoming, ordinary beauty, excellent questions, and the days we have not been promised.

PINKERTON · PORTLAND, OREGON

I have a few things to say. Illustrated Pinkerton leans against a graffitied Portland wall with a knowing smile.

“We are souls.
We have bodies.”

Welcome to The Pinkerton Papers, a field notebook from the Bonus Rounds.

Here you’ll find Illustrated Shorts, essays, blog posts, and archive entries exploring attention, wonder, spiritual mischief, daily joys, self-discovery, and the occasional chink in my know-it-all armor.

Pinkerton

Watch

Illustrated Shorts

Watch · An illustrated short

The Ten O’Clock
Tow Truck Driver

An imaginary tow truck driver. An excellent exit plan. And the man who wouldn’t leave.

4 minutes

Essays

Pinkerton’s hand, with burgundy manicure, resting on the tuning knob of an old-fashioned radio, in a warm painterly illustration.

Read · An essay

Old Songs I Know by Heart

I know this song. I have an excellent explanation for why I’m dancing.

Read the essay ↗
A silver-haired woman in a merlot dress walks away from an elaborate celestial management desk
Without my vigilance, thank you.

Read · An essay

Essay · Control

The World Needs No Assistant Manager

I have held a surprising number of unpaid management positions. Most were self-appointed.

Pinkerton dressed theatrically as a lion tamer, holding a whip
Exhibit A

Read · An essay

Inaugural essay · Reinvention

Can They Prove It?

On evidence, reinvention and the legal right to become suspiciously unrecognizable.

From the blog

P

Read · A blog post

The Blog · Noticing

To See
What I
Could See

I was driving to the dance studio and took a different route. For fun, and to see what I could see.

Read the post ↗
Painterly view over Pinkerton’s shoulder down SE Second Avenue, with sunlit brick buildings, graffiti and successive bridges.

Read · A blog post

The Blog · Interconnectedness

Goddamn It.
Just Like Me.

Interconnectedness, with occasional exceptions for annoying people

Read the post ↗
Two women’s hands over coffee at a sunlit café table, with burgundy sleeves and oxblood nails

Read · A blog post

The Pudge Triptych · Part One

The Pudge
Did Not Budge

Nice try. I remember the prize.

Dutch master wellness still life with pink Jell-O, pink salt, dumbbells, and a measuring tape on burgundy velvet

Read · A blog post

The Blog · Sleeplessness

Too Tired to
Go Apeshit

Apparently, both interference and applause-seeking require energy.

Pinkerton at her desk with coffee, looking tired but functional

Read · A blog post

Gratitude

Prime the Gratitude Pump

Pinkerton, one palm raised as if asking a question

I used to think gratitude was something I ought to feel after life had met certain minimum standards.

Read · A blog post

Beginnerhood

Humble Beginner Pie

A ferocious close-up of Pinkerton showing a bruise near her elbow after floor-work dance class
Floor work leaves evidence.

These days, I would rather fall down in the middle of the dance than remain perfectly composed outside the room.

Read · A blog post

Beauty

Beauty Is Not Frivolous

Pinkerton smiling in pearls and black, carrying a glossy crimson handbag
“Is there an occasion?” “Yes. I got out of bed.”

No one asks a beige orthopedic shoe what contribution it is making to civilization.

About the archive

Written Before
I Knew What I Thought

The Papers began as messages sent from the middle of an actual life, often before I understood what I was trying to say.

A joke. A question. A grievance. A gratitude list. A confession. A photograph. The occasional tiny moment of grace.

They accumulated almost daily, and often more than once, until the messages began to look less like scattered correspondence and more like an archive: a record of a woman becoming herself in real time.

Some Papers are small observations. Others became foundation stones. Together, they tell the story of what came after survival: learning to inhabit a body, make a home, love imperfectly, become visible, remain a beginner and pay attention to an astonishing world that was here all along.

They are funny, profane, searching and occasionally contradictory. No attempt has been made to make the woman who wrote yesterday agree with the woman who woke up this morning.

What appears here is only a small, curated sampling.

The Papers are the primary source: what I wrote then, in the moment. The Blog and Essays bring Papers into conversation and ask what they might mean now.

Why preserve them?

Because we have a habit of polishing away the moment before understanding.

That is often where the life is.

A painterly stellar nursery glowing in crimson, merlot and ember gold as newborn stars emerge from clouds of matter
Playing with matter, for a little while.

The Papers · I

Playing
With Matter

Pinkerton begins with a suspicion: that nearly everything we clutch so tightly is temporary, and therefore at least a little ridiculous. These Papers look upward and outward, not to escape the ordinary world, but to see it correctly. We are souls with bodies for a little while. Rain happens. Then the sun reappears and astonishes us all over again.

Paper No. 1 · Cornerstone

Playing
with Matter

“Is there anything everyone takes seriously that you don’t find at least a little ridiculous?”

Paper No. 23 · A little joke from a text

We Really Are
Orbiting a Star

It does rain a lot, as I had been warned.

Paper No. 38 · Publication excerpt

As If We Could Control Time

“It’s as if we can’t control nature, so we decided to control time. As if.”
Read the paper ↗

The Papers · II

The Life
That Was

Some stories belong partly to other people and will remain private. What Pinkerton can tell is her own: the instinct to flee, the appetite for demolition, and the harder work of crossing back and forth without blowing up the bridge.

A painterly Portland industrial bridge rupturing in a crimson explosion above dark water

Archive Paper · Editorial title

Crossing
the Bridge

“For me, there was nothing easier than running away, burning a bridge, or in my case, blowing it up.”

Paper No. 91 · Publication excerpt

Shabby and
Shopworn

Running away and blowing up bridges were the visible maneuvers. Underneath them sat an older confusion. Sarcasm, attention seeking and manipulation had been practiced so long that they began to feel like personality.

Paper No. 87

The Second, Less
Exhilarating Thought

Crossing the bridge describes the old reflex in action. This Paper catches it one beat earlier: the moment when chaos still sounds far more interesting than peace.

The Papers · III

The
Threshold

Eventually, every plan and scheme ran out.

Pinkerton found herself ten minutes beyond the ending she had expected, still alive and unable to think her way forward. Other people, and perhaps something greater, were allowed to take over.

The Threshold begins there.

Reader note · This Paper contains a brief, non-graphic reference to a suicide attempt.

Paper No. 39 · Publication excerpt

When I Ran Out of
Plans and Schemes

“That’s when I ran out of plans and schemes.”

The Papers · IV

Charlie

Charlie did not arrive after the Threshold. He was already there.

The change was that Pinkerton listened.

The first act wasn’t obedience. It was relationship.

Foundational Paper F-001 · March 14, 2025

GOMU

god of my understanding

“Charlie not only loves me, but actually likes me.”
The name Charlie painted in illuminated graffiti on a wall beneath a dark urban bridge
What other god would tag an underpass?

Paper No. 103 · Publication excerpt

What Just Happened?

“Did I pass up an opportunity to make a cutting remark?”
Read the paper ↗

The Papers · V

The Life
That Is

After the Threshold and Charlie came the ordinary work of living. Pinkerton married, moved north, made a home, traveled by train, planted a garden, worked, prayed, danced and cleaned up after elderly cats.

Peace arrived quietly enough that she occasionally mistakes it for a lack of plot. She is learning to recognize it as a life.

A merlot Hartmann suitcase waiting beneath the arches of a sunlit railway station beside the Coast Starlight
“This is really my life, isn’t it?”

Paper No. 50 · Story fragment

You Have
a Room

“You know… you have a room.”
“Go. Find it.”

Paper No. 75 · Publication excerpt

One Long
Music Video

Peace once had a branding problem: no plot, no soundtrack, insufficiently flattering lighting. This Paper catches Pinkerton beginning to discover that quiet can hold a life.

“I’m grateful that I’m starting to appreciate peace…”

Paper No. 74 · Tiny treasure

Pet Odor
Remover

“I am grateful for products that remove pet odors.”

Paper No. 11

I Love This Town

“Then he took his heels out of his backpack”
Read the paper ↗

Paper No. 133 · Publication excerpt

Carmen Miranda of the Laundromat

“He immediately tried to explain himself.”
Read the paper ↗

The Papers · VI

Under Construction

A merlot armchair half upholstered in a sunlit Portland workshop

Paper No. 96 · Publication excerpt

So Much Easier to Be Wrong

“Jeez, what a load of work! So much easier to be wrong.”
Read the paper ↗

Paper No. 143 · Publication excerpt

Learning to Suck at Something

“Learning to suck at something is a particularly loud benefit.”
Read the paper ↗

Paper No. 167

Bridges over the Willamette

“I don’t know where all this is going. Maybe nowhere.”
Read the paper ↗

The Papers · VII

Still a Broad

Pinkerton in a folded-neckline merlot dress at a café overlooking industrial Portland

Paper No. 165

Still a Broad

“I’m still a broad and thoroughly enjoying myself.”
Read the paper ↗

Archive Poem

How Was the Party?

Pinkerton in the infamous black lace party dress and pearls
“Hey, I’m a piece of work / In progress.”
Read the paper ↗

Paper No. 31 · Publication excerpt

Not Me, the Shrub

“Not me, the shrub!”
Read the paper ↗
An Art Deco portrait of Pinkerton in a faceted merlot and crimson-oxide dress?

The woman behind the papers

Meet Pinkerton.

Writer. Dancer. Spiritual pilgrim. Collector of ordinary miracles and excellent dresses.

After a long career and one unmistakable second chance, Pinkerton is learning how to inhabit a life instead of merely surviving one. The Papers began as messages to people she loves. They became a record of becoming: funny, profane, searching, and alive.

No doctrine. No expertise costume. Just one woman paying attention and inviting company for the walk. Names and identifying details are withheld unless sharing has been agreed.

The Last Word

These are the bonus rounds, not a guarantee.
If today is all I have, I want to live it well and at the end say:“Damn that was fun.”
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